// Alba D'Urbano
//
Main;
Projects() {
Esposizione Impraticabile();
Mare();
The Negated Room();
Hautnah() {
}
Touch Me;
Stoffwechsel;
Il Sarto Immortale();
Die Wunderschöne Wunde;
Tra cielo e terra;
L'età dell'oro();
Venere;
Private Property();
Monitoraggio;
corpo_insegnante();
Natura Morta();
Redden/Erröten; Son_no;
Airbag;
Collaborations();
Net-Works();
History();
Imprint;
Hautnah() {
Quem quaeritis non est hic ;
} //1997
For the parallel exhibition accompanying the 10th Dokumenta, "Inszenierung
und Vergegenwärtigung", Alba D'Urbano transposed the project
"Hautnah" onto the context of the church. In addition to the "skin-suit",
shoes, gloves and manipulated portait photos of the artist were placed around
the nave, symbolising the primary organs of sense. The absence of the actual
body was replaced acoustically through a sound-installation based on the image
of the body of the artist. This was overlayed by computer over the ground
plan of the church. The eight points of intersection with the pillars were
translated into ASCII-codes per computer. Finally, the individual characters
were read and electronispeakers attached to the pillars in the nave.
Sound examples (mp3, ~2.5Mb): File1 File2 File3 File4
Software development: Nicolas Reichelt
Sound: Alessandro Cipriani